Framegrab from Histoire(s) du cinéma (Jean-Luc Godard, 1998). Please read Adrian Martin's new essay A Skeleton Key to Histoire(s) du cinéma
The question of whether cinema has run out of time, and the related question of whether it is also, therefore, out of ‘its’ time (cinema as ‘heritage’ media, a relic from another era) are questions that are often posed by, and to, those working in
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